What things must you have studied in your life, that made your artstyle so wonderfully globuous? I know your locks are fluid too, but I find it unlikely that drawing them from fantasy every day had you such a realistic fluidity. Do you study tar? Dough? Draperies? All of those things? Like bread dough. Maybe I should study bread dough. I certainly know you study reptiles a lot, and sure they are fluid but also tight. There is something else in your work that is much more globulous than snakes and guineapigs.